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Jan Brueghel the Elder, A Fantastic cave with Odysseus and Calypso
Painting ID:: 80254
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Jan Brueghel
Jan Brueghel the Elder, A Fantastic cave with Odysseus and Calypso
ca. 1616(1616)
Oil on canvas
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Village Scene with a Canal
Painting ID:: 81529
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Jan Brueghel
Village Scene with a Canal
oil on copper painting by Jan Brueghel the Elder, 1609, 22 x 34 cm
Date 1609(1609)
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Sea port with the lecture of Christ
Painting ID:: 82943
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Jan Brueghel
Sea port with the lecture of Christ
78 x 119 cm (30.7 x 46.9 in)
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Sea port with the lecture of Christ
Painting ID:: 83152
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Jan Brueghel
Sea port with the lecture of Christ
1st quarter of 17th century
Dimensions 78 x 119 cm (30.7 x 46.9 in)
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The Original Sin
Painting ID:: 83662
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Jan Brueghel
The Original Sin
1616(1616)
Medium Oil on wood
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Jan Brueghel
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1568-1625
Flemish Jan Brueghel Locations
Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet.
Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578.
He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes.
After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill. |
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Related Artists::.
| Simon van der Does | Jacob Wessel | Theo Van Rysselberghe | |
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